Lips should be moist, relaxed and together as if you just said the
word "mem". There should be no forced tightening , thinning, or
flattening (sometimes called a smile embouchure). The corners of the
mouth should be firmly set in a downward direction. Sound is produced
by buzzing the lips with a quick full stream of warm air. Puffing of
the cheeks or lips is not allowed under any circumstances! After
practice the lips should be able to buzz with a fairly relaxed feel
in the center. Mouthpiece placement should show the mouthpiece
covering an approximate 60/40 ratio of upper and lower lip.
Teaching the trombone intimidates a lot of teachers because of
their unfamiliarity with how the slide works. The following is a list
of procedures that you may want to consider when dealing with
beginning trombone players.
Check the positions regularly with a tuner if you are unsure of the
exact placement. Every trombone is a little different in this regard.
(Some instruments actually have shorter bells than others). Of course
the embouchure needs to be good and the tone centered for this to be
fully effective. (sounds like a catch-22 doesn't it? )
Start by teaching 3 positions, 1st, 4th and 6th. This gives them a
good feel for the length of the slide and gives them 3 widely spaced
"set" points. Don't worry if a young student cannot reach 6th (very
young students cannot), they will grow into it.
After teaching these 3 positions you will want to teach them to find
these sets without looking at the slide. Do exercises every lesson in
which the students find these positions with their eyes closed. The
most common problem with students at this age is that they want to
watch the slide. Sometimes you will only notice this when you find
out that they can't read music.
The next position to teach is 3rd. This will give them good visual
anchors to use when moving the slide a minor second (using the bell
as a reference at first). Please remember that you will want to move
them away from this dependence on visual anchors as soon as
possible.
You will need to constantly watch for the tendency to look at the
slide.
The next position to teach is 2nd. A drill should be devised to
practice moving 1st-2nd-3rd-4th. This should then progress to an
exercise in which the teacher calls out positions in random order
using every possible combination. (The most out of tune playing
occurs when moving from one position to an adjacent position, as in
moving from 2nd to 3rd, or 5th to 6th.) At this point you can
approach 5th and later (jr high or high school) you can introduce
7th.
If you would like info on how I justify this method of teaching slide positions follow this link:
1st position - slide all the way up
4th position - slide brace is just past the edge of the bell (check
w/tuner for exact position)
6th position - for a young player as far out as possible without
distorting embouchure (which probably won't be far enough).
3rd position - slide brace stops just before the edge of the bell
(check w/tuner)
2nd position - approx. mid way between 1st and 3rd (check
w/tuner)
5th position - approx. mid way between 4th and 6th
7th position - most young students can't hit this but try bending
wrist outward from 6th.
It is important to note that these positions will change constantly
as the students grows. The "feel" of moving the slide a certain
distance may stay the same but as the arm gets longer so will the
distance of the move. If you want your trombones to play in tune you
must always be checking the positions and making corrections.
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You may subscribe to the below list by following the procedure given. The words "Your Name" should be replaced with your legal name. This list will bring you daily correspondence about Trombone and can be a valuable source of information.